| |
| |
-
FAB 367 - Beers
Basic principles of beer production. Primary focus on manufacturing, quality criteria, beer styles, and sensory standards. Evaluation by tasting is an integral part of the course.
Credits 3
Prerequisites 21 years of age.
Notes Lab fee required.
|
| |
-
FAB 368 - Concessions Operations Management
Management of food and beverage operations within the recreation industry, considering concessions operations in a variety of venues. Emphasizes logistical, inventory, financial, cash control, and human resource considerations inherent to successful concessions operations. Includes classroom work and hands-on experience.
Credits 3
Prerequisites FAB 160.
|
| |
-
FAB 370 - Nutrition in Food Service
Enables food service professionals to plan menus for specific nutrition-related conditions and to answer questions regarding current nutrition issues. Covers consumption trends, nutrient needs of general and specific populations, relationships between nutrition, health and diseases, and menu/recipe modifications. Students complete a computerized diet self-analysis program.
Credits 3
Prerequisites FAB 101, FAB 159 and junior standing.
|
| |
-
FAB 450 - Food and Beverage Internship I
On-site internship in a commercial or noncommercial food and beverage operation. Seminars and/or reports required.
Credits 3
Corequisites Culinary arts, beverage management, foodservice management, hospitality management majors only.
Prerequisites TCA 201.
|
| |
-
FAB 451 - Food and Beverage Internship II
Second or unique internship in a commercial or noncommercial food and beverage operation.
Credits 3
Corequisites Culinary arts, beverage management, foodservice management, hospitality management majors only.
Prerequisites TCA 201.
Notes Lab fee required. S/F grading only.
|
| |
-
FAB 460 - Facilities Planning and Equipment
Planning of food service facilities with emphasis on human engineering, layout, design, selection of equipment, and management planning decisions.
Credits 3
Prerequisites FAB 160.
|
| |
-
FAB 461 - Food and Beverage Cost Control
Duties and responsibilities of the manager for budgeting and forecasting, cost, and developing and maintaining internal controls in restaurant, catering and all types of food and beverage operations.
Credits 3
Prerequisites FAB 160, TCA 221.
|
| |
-
FAB 465 - Beverage Management
Basic principles of beverage management and bar operations. Primary focus on beverage products, purchasing, inventory management, bar set-up, bar layout and design, production, service, and cash handling. Meets Clark County and Las Vegas requirements for alcohol awareness certification.
Credits 3
Prerequisites FAB 160, 21 years of age, matriculated students only.
Notes Lab fee required.
|
| |
-
FAB 467 - Quantity Food Management
Application of established standards, techniques, and practices of large quantity food production. Students participate in the sales, production, and service of meals in varied environments including fine dining, casual table service, and catering.
Credits 3
Prerequisites FAB 160, FAB 461, HMD 259, TCA 380, majors only.
May be repeated for a maximum of six credits.
Lab/Lecture/Studio Hours Minimum of six hours of laboratory per week. Lab fee required.
|
| |
-
FAB 470 - Global Food and Nutrition Issues
All citizens of the world have a vested interest in how food is produced, distributed, processed, prepared and regulated. Provides students with a look at the governmental, industrial, environmental, and individual consumer factors that influence the types and quality of foods available in the world marketplace.
Credits 3
Prerequisites ENG 102 and ENG 231 or 232, junior standing.
|
| |
-
FAB 474 - Independent Study in Food Service Management
Research in an area of concern to the management of food service operations.
Credits (1-3)
Prerequisites Consent of instructor.
May be repeated to a maximum of six credits.
|
| |
-
FIN 101 - Personal Finance
Introduction to management of personal expenses and savings. Protection of family income, assets, and health. Taxes and estate planning. Does not apply toward a major in the College of Business.
Credits 3
|
| |
-
FIN 115 - Introduction to Investments
Major types of investment securities and the markets in which they are traded. Mechanics of making an investment, including basic analytical and valuation techniques and a survey of investment literature and terms. Does not apply toward a major in the College of Business.
Credits 3
|
| |
-
FIN 151 - Introduction to Risk and Insurance
Consumer-oriented approach to analyzing the impact of significant risks in business and personal life; a presentation of the available methods for treating those risks.
Credits 3
Prerequisites Sophomore standing.
|
| |
-
FIN 301 - Principles of Managerial Finance
Finance function within business organizations; tools and techniques of financial management. Topics include financial mathematics; valuation of securities; financial analysis; capital budgeting; concepts of capital structure and dividend policy; and working capital management.
Credits 3
Prerequisites Admission to a business major/junior standing*, ACC 201, ACC 202 and ECON 261.
|
| |
-
FIN 303 - Intermediate Managerial Finance
Theoretical approach to financial management. Development of analytical tools and their application to practical, modern business financial problems.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 301.
|
| |
-
FIN 307 - Investments
Introduction to the basic concepts of investments. Focus on analysis of the investment environment and decision process; overview of function and efficiency of securities markets; relation between risk and return; characteristics, valuation, and selection of various securities.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 301.
|
| |
-
FIN 308 - International Financial Management
Study of the management of the financial resources of the multinational firm. Includes discussion of the basic differences of an international operation from domestic financial management. Topics include international financial markets, evaluating foreign investment opportunities, theories and practices of financing multinational operations.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 301.
|
| |
-
FIN 312 - Capital Markets
Examination of the financial markets with emphasis on the linkage between saving and investment to create new wealth and to permit portfolio adjustments in the composition of existing wealth.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 301.
|
| |
-
FIN 321 - Corporate Risk Management
Introduction to the corporate risk management function and the associated financial tools. Emphasizes the corporate risk management function from a financial perspective, and provides a conceptual framework for making risk management decisions that increase firm value. Covers pure (insurable), financial and credit risk management.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 301 or MATH 170 or MATH 320.
|
| |
-
FIN 322 - Insurance and Risk Management
Provides an introduction to risk management and insurance emphasizing personal risk management. Topics include management of risks to personal property, liability risks and risks to income due to death and disability. Discusses the insurance industry, including marketing, underwriting, pricing and claims practices.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 301 or MATH 170 or MATH 320.
|
| |
-
FIN 345 - Managing New Venture Funding
Financial issues facing entrepreneurial business ventures at all stages of their existence. Challenges students to build new skills through consideration of the following frameworks: Introduction and Opportunity assessment, operational aspects of finance related to entrepreneurial ventures, financing growth, and other entrepreneurial finance issues.
Credits 3
Prerequisites Admission to a business major/junior standing*, BUS 101, FIN 301.
|
| |
-
FIN 405 - Case Problems in Managerial Finance
Intensive analysis of financial problems encountered by various types of business organizations, utilizing cases and emphasizing the corporation.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 303, FIN 312.
|
| |
-
FIN 410 - Financial Derivatives
Introduces option pricing theory. Defines, describes, and explains various options as well as strategies of options trading. Central focus on the usefulness of options in portfolio management. Development, functions, and importance of commodities markets; principles and mechanisms of trading commodities on future markets. Includes speculation, hedging, and roles of commission houses and commodity exchanges.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 307, FIN 312.
|
| |
-
FIN 419 - Portfolio Management
Theoretical and practical analyses of investment portfolios; portfolio selection process with relation to requirements of individuals and various institutions; and portfolio performance evaluation.
Credits 3
Prerequisites Admission to business major/junior standing*, FIN 307, FIN 312.
|
| |
-
FIN 420 - Property and Liability Insurance
Examination of risk management for property and liability exposures. Identification of property loss and liability exposures and discussion of available risk management methods, including commercially available insurance coverages. Problems in liability insurance markets and potential solutions discussed.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 321 or FIN 322.
|
| |
-
FIN 421 - Life and Health Insurance
Analysis of personal and business life and health insurance needs, characteristics of plans appropriate to meet those needs and unique tax and legal aspects of insurance planning. Examination of functional aspects of life/health insurance operations, including underwriting, ratemaking, reserving and financial statement analysis. Discussion of regulation and social insurance programs.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 321 or FIN 322.
|
| |
-
FIN 422 - Risk Management Seminar
Analysis of corporate and individual risk management functions and risk handling techniques. Other topics include employee benefit programs, government regulations, insurance, and public policy.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 321.
|
| |
-
FIN 445 - Commercial Banking
Role of a commercial bank within the commercial banking system. Management of a bank’s liabilities, capital, and assets. Policy decisions of the board of directors and top management; lending and portfolio policies and practices.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 312.
|
| |
-
FIN 480 - Entrepreneurial Finance
Focuses on the financial concepts, issues, methods and industry practices relevant to entrepreneurial decision makers. Addresses a variety of topics including financial valuation, various sources of funds, structures and legal issues in arranging financing, the private and public venture capital markets, preparation of business plans, and the initial public offering process. Provides understanding of the segments of the capital markets specializing in start-ups and growth financing.
Credits 3
Prerequisites Admission to a business major/junior standing*, FIN 303, FIN 312.
|
| |
-
FIN 481 - Finance Internship
Supervised on-site practical and professional learning experience in various participating local enterprises, culminating in a written report.
Credits 3
Prerequisites Admission to the finance major, minimum 3.00 UNLV GPA, and minimum 3.00 major GPA with at least nine credit hours of finance major core courses completed (selected from FIN 303, FIN 307, FIN 308 and FIN 312).
Notes S/F grading only.
|
| |
-
FIN 490 - Independent Study
Study and research in the field of finance.
Credits (1-3)
Prerequisites A 3.00 GPA, admission to the major, senior standing and completion of nine credit hours of courses within the major.
May be repeated to a maximum of six credits.
|
| |
-
FIS 100 - Introduction to Film
Introduction to the history of international film, its structure and terminology. Development of cinematic techniques from Edison, Lumière, and Melies to prevailing contemporary trends surveyed, with special emphasis on major directors such as Eisenstein, Ford, Griffith, Lang, Hitchcock, Bergman, and Renoir.
Credits 3
|
| |
-
FIS 110 - Language of Film
Introduction to studying feature films through lectures, discussions, and writing criticism. Investigation of what elements make film a unique art form through both textual and contextual analysis.
Credits 3
|
| |
-
FIS 200 - Film Analysis
Inquiry into what makes film a unique medium of expression through analysis of formal elements. Creative and research-oriented projects investigate film and its relationship with other art forms.
Credits 3
Prerequisites FIS 100 or 110.
|
| |
-
FIS 220 - Film Production I
Fundamentals of motion picture production including image composition, lighting, editing, and production planning in 16mm.
Credits 3
Prerequisites FIS 100, FIS 110.
|
| |
-
FIS 300 - Film Criticism
Analysis of feature films validated through research papers and oral presentations. Critical approaches surveyed include journalistic, humanist, auteurist genre, social science, historical, and theoretical.
Credits 3
Prerequisites FIS 100 and FIS 110.
|
| |
-
FIS 314 - Script Supervising and Continuity Style
Designed to teach the art and techniques of script supervising and continuity. Students will break down a script for pre-production and then cover the script supervisor’s position on the set during shooting. By the end of the course, students will be well prepared to join any production team for film, TV, or commercials.
Credits 3
Prerequisites FIS 100 or FIS 110.
|
| |
-
FIS 315 - Film Editing
Advanced course examining the theory, techniques, and practices of motion picture editing; use of standard editing equipment; and practical experience editing professional material.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 317 - Film Sound
Practical course on the theory, art and techniques of film sound. Students work on projects involving dialogue and sound effects recording, post production sound editing and sound design.
Credits 3
Prerequisites FIS 315.
|
| |
-
FIS 320 - Film Production II
Organization and execution of narrative, documentary, and experimental film productions in 16mm.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 325 - Staging for the Screen
Advanced course in directing for the screen. Examines the concepts of camera coverage, staging within the frame, camera movement, and provides experience analyzing and directing short scenes.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 326 - Cinematography
Technical and aesthetic aspects of lighting design, composition, and operating explored through individual projects and in-class shoots. Students required to have access to a 35mm still camera.
Credits 3
Prerequisites FIS 220 and consent of instructor.
|
| |
-
FIS 327 - Film Production Design
Examination and exploration of motion picture production design, focusing on its history, techniques, and practices.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 328 - Basic Grip and Electrical
The basic of effective studio gripping and lighting. The class offers a thorough knowledge of equipment, safety and tools. Lectures are combined with hands on workshops to teach state of the art technique.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 330 - Pre-Production Approaches for Film and Video
Examination and exploration of the pre-production cycle, emphasizing the integration of digital technology.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 332 - Working in Film and TV Industry
Designed to prepare students for the ‘real world’ issues they will face as working artists in the entertainment industry. Through lecture, readings, assignments, interaction with visiting artists, and classroom exercises, students will expand their awareness of their personal path as well as the many paths of opportunity available to them.
Credits 3
Prerequisites FIS 100 or FIS 110.
|
| |
-
FIS 335 - Professional Film Production Methods
Intensive workshop provides for weekly interaction with industry professionals.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 338 - Advanced Directing Workshop
Specialized course is designed to teach junior and senior film majors advanced directing techniques. Topics covered: scene analysis, maximizing coverage, and eliciting truthful performances. This is a workshop-style class that will require students to direct assigned scenes, share critiques, and receive direct feedback.
Credits 3
Prerequisites FIS 220.
May be repeated to a maximum of nine credits.
|
| |
-
FIS 339 - Acting for the Film Director
An approach to acting for the screen, designed to teach film-directing students the ins and outs of the acting process.
Credits 3
Prerequisites FIS 100 or FIS 110.
May be repeated to a maximum of nine credit.
|
| |
-
FIS 350 - Historical Survey of Screen Acting
Covers the study of historical survey of screen acting from beginnings of film and television to present days.
Credits 3
Prerequisites FIS 100 or FIS 110.
|
| |
-
FIS 352 - Scene Work for Directors
Covers the study of historical survey of screen acting from beginnings of film and television to present days. Introduces film student directors to script analysis and staging. Scene work directing will be required by all students. Students will leave this course with a better understanding on how to interpret the writer’s intent and therefore enhance the story telling process.
Credits 3
Prerequisites FIS 100 or FIS 110.
|
| |
-
FIS 400 - Film Theory
Leading theorists studied intensively through screening of feature films, readings in film theory, written analyses, and conference style oral presentations. Intended for film studies majors only.
Credits 3
Prerequisites FIS 100.
|
| |
-
FIS 409 - Politics and the Film
(Same as PSC 400F.) Analysis of the political film. Themes treated include political power, corruption, war, revolution, propaganda, political socialization, and participation.
Credits 3
|
| |
-
FIS 410 - Major Figures in the Cinema
Study of the works of major filmmakers through the auteur theory and other approaches. Different individuals studied each time course offered.
Credits 3
Prerequisites FIS 100.
May be repeated to a maximum of nine credits.
|
| |
-
FIS 414 - Cinematic Structure
Advanced course in the textual analysis of feature films.
Credits 3
Prerequisites FIS 100 or FIS110.
|
| |
-
FIS 415 - Story Development
Basis of cinematic structure, emphasizing action, construction, tension, and character. Story development through motion picture formats.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 416 - Screenwriting I
Study of the three-act screenplay, structure of dramatic scenes, and writing of a one hundred-twenty page first draft.
Credits 3
Prerequisites FIS 100 or FIS 110.
May be repeated to a maximum of nine credits.
|
| |
-
FIS 417 - Screenwriting II
Teaches rewriting of a screenplay. From first draft through problem solving and rewriting to a tight, workable script.
Credits 3
Prerequisites FIS 416.
May be repeated to a maximum of six credits.
|
| |
-
FIS 418 - Writing for Television I
With emphasis on the narrative exploration of the television hour-drama, students develop and complete one hour-drama spec script.
Credits 3
Prerequisites FIS 220.
May be repeated to a maximum of six credits.
|
| |
-
FIS 419 - Writing for Television II
As a continuation of FIS 418, students explore the television situation comedy and develop and complete one sit-com script.
Credits 3
Prerequisites FIS 418.
May be repeated to a maximum of six credits.
|
| |
-
FIS 420 - Film Production III
Advanced motion picture production techniques in 16mm. Course involves both group and individual production projects.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 422 - Short Film Archiving
Covers the study of the short film in an archival context. Students will study the acquisition, preservation, presentation and organization of the short film archive collection. For the film history student, it exposes them to the short film from the beginning of motion pictures to the accomplished work of today’s filmmakers. For the non-major, it exposes them to film history and the short film art form in specific.
Credits 3
Prerequisites FIS 100 or FIS 110.
|
| |
-
FIS 431 - Music Video
Workshop-based class exploring music video. We will examine several types of the mixture of music and motion pictures in addition to looking at other art forms that can influence the music video.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 432 - Industry vs. Artistry in Film and Television
(Same as COM 432.) Explores relationship between art and economics in film and television by examining industry structures, philosophies, and practices which shape contemporary mass entertainment.
Credits 3
Prerequisites Junior standing.
|
| |
-
FIS 434 - Producing For Hire
An introduction to the duties required of a producer hired to do a project. This course will cover the role and responsibility of the film producer in the areas of commercials, music videos, and film, encompassing areas from initial concept to pre-production through post-production.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 440 - The European Film
Survey of the major movements and themes of European cinema and related literature.
Credits 3
|
| |
-
FIS 441 - Drama and Film of German Expressionism
(Same as FOL 441 and GER 441.) Examination of German film and literature of the 1910s and 1920s.
Credits 3
|
| |
-
FIS 443 - From French Literature to Film
(Same as FREN 443 and FOL 443.) From a condensed analysis of narrative techniques and structure of original literary sources toward a detailed study of the basic problems connected with the grammar of film. Students expected to read the original literary work in translation and/or script if available.
Credits 3
|
| |
-
FIS 444 - Documentary Film and Video
Critical analysis of documentary film texts from historical and aesthetic perspectives. How non-fiction film differentiates itself from classical narrative and experimental/avant-garde film.
Credits 3
|
| |
-
FIS 445 - The Rise of Irish Cinema
To engage the student in the analytical study of the growth of the Irish film industry as an artistic movement. Particular attention will be paid to historical, cultural and literary references. The class format will be lecture, viewing of motion picture and class discussion and analysis.
Credits 3
Prerequisites FIS 100 or FIS 110.
|
| |
-
FIS 446 - History of the Russian Film
(Same as HIST 446.) Soviet cinema from the revolutionary films and path-breaking theories of the 1920s (Eisenstein, Pudovkin, Vertov, Dovzhenko, and Kuleshov), through the constrictions of Socialist Realism, to the revival of a proud tradition in the decades since Stalin. Emphasis on Russian cultural traditions, contemporary historical context, and the demands of ideology.
Credits 3
|
| |
-
FIS 447 - Documentary Techniques
A hands-on, part lecture, part workshop class exploring the making of verte (observational) style documentary films. The class will encourage students to focus on interesting, unique, and specific character behavior for the subjects of their future documentary films.
Credits 3
Prerequisites FIS 220.
|
| |
-
FIS 449 - The History of French Film
(Same as FREN 449.) Survey and evolution of French film from silent to sound: surrealism, realism, and the New Wave. Includes the work of major filmmakers such as Clair, Renoir, Cocteau, Clouzot, Godard, Truffaut, etc. Films analyzed as works of art, social documents, and instruments of communication.
Credits 3
|
| |
-
FIS 450 - Directed Studies in Film
Individual projects on an aspect of film study, designed by the student in conjunction with a faculty member.
Credits (1-3)
Prerequisites FIS 100 or FOL 144.
May be repeated to a maximum of nine credits.
|
| |
-
FIS 453 - Co-Curricular Film Project
Collaborative workshop in the production of short film in which selected students work to complete a project eligible for exhibition on the festival circuit.
Credits 3
Prerequisites FIS 220.
May be repeated to a maximum of six credits.
|
| |
-
FIS 470 - Women in Film
Survey of international women filmmakers. Emphasis on women directors and their films and women involved in other aspects of production, including screenwriting, editing, and acting.
Credits 3
|
| |
-
FIS 474 - Sex in the Cinema
A survey of films with sexual themes and/or adult content. These will be analyzed from historical, cultural, industry and genre perspectives. DISCLAIMER These films contain nudity, sexual situations, and themes. If you are sensitive to or potentially offended by any of these issues then do not take this class.
Credits 3
Prerequisites FIS 100 or FIS 110.
|
| |
-
FIS 475 - Modern Latin American Film
(Same as HIST 475.) Cinematic treatments of modern Latin American socio-historical issues. Topics include industrialization, dictatorship and repression, redemocratization, and minority rights. Analysis of the Cinema Novo (Cinema Nueva) and post-Cinema Novo genres. Emphasis on Brazilian, Argentine, and Cuban films of the 1970s and 1980s.
Credits 3
Prerequisites Junior or senior standing; or completion of HIST 143 or 144 and consent of instructor.
|
| |
-
FIS 479 - Adaptation Stage to Screen
Studies and evaluates how some “classic plays” were adapted and developed for the screen. Plays will be read and the adapted films will be screened. Discussions will be centered on whether the film or films captured the objective of the original play or whether it failed in its adaptation and most importantly why.
Credits 3
Prerequisites FIS 100 or 110.
|
| |
-
FIS 493 - Studies in British Film
(Same as ENG 476A.) Study of the history of British film emphasizing analysis of a variety of films. Examines particular genres, directors, and traditions peculiar to British film and the relationship of British film to England’s broader cultural development.
Credits 3
|
| |
-
FIS 494 - History of the American Film
(Same as ENG 476B.) Examination of the films of major directors from D.W. Griffith in the Biograph period (1908-1912) to the present. Film-makers such as John Ford, Howard Hawks, Orson Welles, George Cukor, Robert Flaherty, Frank Capra, Raoul Walsh, and others studied.
Credits 3
May be repeated to a maximum of nine credits.
|
| |
-
FIS 495 - Film and Literature
(Same as ENG 477A.) Comparative study of the relations of prose, poetry, and drama to the structure and themes of the cinema, from Dickens to the present.
Credits 3
|
| |
-
FIS 496 - American Hero in Film and Literature
(Same as ENG 477B.) Traces the origins and the development of the American hero from roots in myth, folklore, and history to the 1950s.
Credits 3
|
| |
-
FIS 497 - Genre Studies in Film
(Same as ENG 477C.) Individual examinations of genre structures and themes, with emphasis on the development and the history of genres.
Credits 3
May be repeated to a maximum of nine credits.
|
| |
-
FOL 187 - Study Abroad in Foreign Language, Literature, or Culture I
Elementary course work in language, literature, or culture. Offered through the Office of International Programs.
Credits (1-4)
May be repeated for a maximum of thirty credits.
|
| |
-
FOL 198 - Reading Proficiency in a Foreign Language for Graduate Students
Enables graduate students to develop vocabulary and skill in rapid reading of target language through translation into English. Target language varies per semester. Taught in English. May not be used toward an FOL degree.
Credits 3
Prerequisites Graduate standing.
|
| |
-
FOL 287 - Study Abroad in Foreign Language, Literature, or Culture II
Intermediate course work in language, literature, or culture. Offered through the Office of International Programs.
Credits (1-4)
Prerequisites FOL 187.
May be repeated to a maximum of thirty credits.
|
| |
-
FOL 311 - Current Linguistic Theory
Examination of current linguistic theory, including basic phonetic transcription, speech sounds, forms, and words in the systems of phonology, morphology, and syntax. Language use in society and language change.
Credits 3
Prerequisites Two years of foreign language instruction at the university level.
|
| |
-
FOL 387 - Study Abroad in Foreign Language, Literature, or Culture III
Advanced course work in language, literature, or culture. Offered through the Office of International Programs.
Credits (1-4)
Prerequisites FOL 287.
May be repeated to a maximum of thirty credits.
|
| |
-
FOL 414 - Romance Linguistics
Historical development of the Romance languages from Latin. Comparison of the structure of the modern Romance languages. Emphasis on Spanish, French, and Italian.
Credits 3
Prerequisites Two years of a Romance language.
|
| |
-
FOL 416 - Comparative Linguistics: Languages of the World
Material and functioning of languages in human society examined in theory and on the basis of illustrative examples from a variety of different languages, including English. Interdisciplinary course conducted in English.
Credits 3
|
| |
-
FOL 441 - Drama and Film of German Expressionism
(Same as FIS 441 and GER 442.) Examination of German film and literature of the 1910s and 1920s.
Credits 3
|
| |
-
FOL 487 - Study Abroad in Foreign Language, Literature, or Culture IV
Senior-level course work in language, literature, or culture. Offered through the Office of International Programs.
Credits (1-4)
Prerequisites FOL 287.
May be repeated to a maximum of thirty credits.
|
| |
-
FOL 499 - Application of Linguistics to the Teaching of Languages
Examination of second language acquisition theory and its application to the teaching of foreign languages.
Credits 3
Prerequisites Two years of a foreign language at the university level.
|
| |
-
FREN 113 - Elementary French I and II
Development of language skills in listening, speaking, reading, and writing; structural analysis. Emphasis on speaking.
Credits 3
Notes See department for placement.
|
| |
-
FREN 114 - Elementary French I and II
Development of language skills in listening, speaking, reading, and writing; structural analysis. Emphasis on speaking.
Credits 3
Notes See department for placement.
|
| |
-
FREN 187 - Study Abroad in Foreign Language, Literature or Culture I
Elementary course work in French language, literature, or culture. Offered through the Office of International Programs.
Credits (1-4)
May be repeated to a maximum of thirty credits.
|
| |
-
FREN 213 - Intermediate French I and II
Structural review, conversation, reading, and writing.
Credits 3
Prerequisites FREN 114 or equivalent.
|
| |
-
FREN 214 - Intermediate French I and II
Structural review, conversation, reading, and writing.
Credits 3
Prerequisites FREN 114 or equivalent.
|
| |
Page: 1 <- Back 10 … 10
| 11
| 12
| 13
| 14
| 15
| 16
| 17
| 18
| 19
| 20
… Forward 10 -> 36 |